Moreover, she did this through faithful rendering of the score rather than through superimposed emotionality. Rhythm and tune then fall into an abrupt piano, no less threatening than the previous forte.
Her first movement begins with a judicious tempo of the main theme, her playing lively and spirited. But by then the sprint has transformed into a "fearful pursuit with an obsessively repeated triplet motif [first heard fleetingly in the Scherzo movement] overshadowed by the baleful roars of tuba and trombones".
The piano and flutes gracefully glide up and down the upper octaves. The Concertosreceiving notable acclaim. The second movement was melancholic and rhapsodic; orchestral crescendos pulled at the heartstrings and piano trills were impossibly smooth. He utilized the ensemble playing between the solos to introduce new themes and facilitate the development of the music.
The colossale portion of the cadenza is profuse with giant runs and large chords. Noted in two staves, the piano plays a reprise of its own opening theme. A third staff, which requires the pianist to perform large jumps with both hands frequently, contains the motif from the earlier orchestral accompaniment.
Most important, he realized that the orchestral score was intended as no mere frill but to give the concerto true symphonic scope. Wang delivers a dramatic, deftly nuanced, passionate and often powerful reading of the Rachmaninov Third.
He premiered this revised version of the concerto in Paris on May 8, with Serge Koussevitzky conducting. Collectively they perform nearly on the level of some world-class orchestras. The music eventually winds down, with "a despondent-sounding version of the lullaby theme on bassoon abruptly cut off by a sharply articulated and very final sounding cadence from the orchestra".
Thus at this Saturday evening event the atmosphere was electric. One fleeting motif, to make a major appearance in the final movement, appears fig.
Even Vladimir Horowitz had difficulty achieving this level. Diminutive, pert and youthful, Yuja Wang does not exactly conform to this image, but she has virtuosity in spades and stamina to spare.
Pizzicato strings point several more times to the opening theme, the significance of which has now been revealed.
It displays the motor line of the five "lines" characters Prokofiev describes in his own music. Her finger work is not just proficient; it is superhuman. Tedd Joselsonthen 19 years old, launched his recording career with this work in with the Philadelphia Orchestra conducted by Eugene Ormandy RCA.
The second movement brims with Romantic warmth and a sense of fervent longing, ingredients so characteristic of Rachmaninov.
For several bars, the orchestra issues ever waning threats, at the same time making inexorably for the tonic, at which point the piano enters and the music immediately gains force.
Please help improve this article by adding citations to reliable sources. The second movement sizzles with both flash and elegance, and the grotesque third movement is fully convincing: Wang, however, succeeded both technically and interpretively, making its meaning transparent. Her Curtis teacher, Gary Graffman, is revered for the latter, and one hopes that Ms.
The piano puts a momentary end to its own fury with a barely feasible manoeuvre, both hands jumping up three or four octaves simultaneously and fortissimo in the time of a semiquaver. As both hands move apart, to embrace the piano fff in D minor, an accent on every note, the orchestra announces its return, strings and timpani swelling furiously from p to ff.
The result was not so much about overcoming a technical obstacle course as the transparent expression of a musical masterpiece.Find helpful customer reviews and review ratings for Rachmaninov, Piano Concerto No. 2 in C minor - Yuja Wang, Yuri Temirkanov at polkadottrail.com Read honest and unbiased product reviews.
Apr 19, · Mix - Yuja Wang: Rachmaninov Piano Concerto - 2 - 2nd Movement YouTube; Yuja Wang - Tchaikovsky Piano Concerto No. 1, Rachmaninoff Piano Concerto No.
2. Yuja Wang and Gustavo Dudamel: An Inconsistent Summit Meeting. Review by: Jed Distler. Piano Concerto No. 2 in G minor Op. Wang, Yuja (piano) Dudamel, Gustavo (conductor) Simón Bolívar Symphony Orchestra of Venezuela; Deutsche Grammophon - ; CD.
Wang imparts a sense of mystery and eventually of agitation to the lyrical first movement main theme, using a mixture of soft dynamics and muscular playing that can sometimes turn curt.
The quirky alternate theme is plucked out boldly by Wang, giving the music a sassy yet surrealistic character. Wang performed the Piano Concerto No. 2 with the Simon Bolivar Symphony Orchestra under Gustavo Dudamel in Caracas, Venezuela, in February A recording of this performance was released in December on Deutsche Grammophon.
With the vast plenitude of recordings of Sergey Rachmaninov's Rhapsody on a Theme of Paganini and the Piano Concerto No. 2 in C minor, one has to wonder why Yuja Wang and Claudio Abbado chose these blockbusters for her first album with an orchestra. There are many possible reasons, including the composer's instant name recognition, the performers' preference for the music, and the obvious 9/Download